STC LP-002 Limited Black Vinyl LP with Hand-Painted Cover
Record/Vinyl + Digital Album
Very limited first run of STC-LP002 on black vinyl with mega-dega super-amateur DIY hand-painted & hand-assembled covers, album notes typed on a typewriter (or maybe hand-written), and super-minimal hand-drawn & stamped) labels. Each copy is utterly unique. We cannot guarantee that every (or perhaps any) copy will be conventionally attractive or worthy of display, but all records will nonetheless be made and packaged with maximum love, care, and attention to detail by the "artist".
Records begin shipping from Japan mid-April.
Includes unlimited streaming of The Producer's Workshop Ensemble in Japan
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Sold Out
STCLP-002 Black Vinyl with Printed Reproduction Cover
Record/Vinyl + Digital Album
Second run of STCLP-002 on black wax with high-quality wrap-around reproduction prints of two of the earliest amateur paintings created for this project. This version Includes the original liner notes by Sandalio De Díaz on the back. Hand-pasted covers. Hand-stamped labels.
At checkout, please select a cover art design: "SWlRL" (blue) or "NATURE" (green).
Ships from Chicago, United States beginning in August 2023.
Includes unlimited streaming of The Producer's Workshop Ensemble in Japan
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Sold Out
credits
from The Producer's Workshop Ensemble in Japan,
released July 29, 2022
Composed, produced, arranged, & mixed by Matthew Rivera
Japanese lyrics by Yuima Enya
Recorded on location at STC Mobile Studios, Japan
Mastered by Steven Berson at Total Sonic Media
Original low-quality painting by "the artist"
Yuima Enya- lead & background vocals
Matthew Rivera- drums, tambourine, string synthesizer, electric piano, synth bass, finger snaps
supported by 24 fans who also own “Anata to Watashi”
Like so many others, this came like a bolt out of the blue and, even though it's well before payday, I had to have this astonishing album on vinyl to prove it exists. The feel of the tunes makes me feel like the Impressions do, Curtis Mayfield, the big spaces and instinctive horns and stuff drifting in and out. Great grooves and I can see lots of ghosts nodding along to this with big smiles on their faces. At last! Anthony Cottrell